S.Rhatigan / J.F Morrison © 2001
STOP PRESS… I’m playing a few gigs in the UK in the next week…
Wednesday 4th Jun @no14_bar_ashburton
Tuesday 10th June Green Note Camden
My songwriting has always been honest. I tend to call it how I see it in pretty clear language. I don’t use metaphor much or oblique references. A record producer, whom I have a great respect for Paul Samwell Smith, once told me that my songs are too personal. I tried to adapt my writing to be less, on the nose, but it doesn’t work, I get blocked and don’t write, so I’ve given up on that, however I do get what he meant.
Audio PlayerI write honestly about relationships; romantic, family, working and of course sexual. Probably because I’ve always struggled with relationships and tend to work through that in my songwriting. Growing up, friendships both platonic and otherwise, were hard to come by and harder to keep, with of course notable exceptions…
It must have been almost dawn, dad came down to find me there. He asked me why I couldn’t sleep so I told him everything. -Oh,- he says -and will we have the chance to meet this gentleman?- Oh yes- I said enthusiastically, thinking this momentous meeting would confirm my status as ‘girlfriend’ and I would officially no longer be the 3rd wheel in life.
By 2pm the following afternoon I had it all worked out. We would stroll hand in hand down the main avenue of St Annes park and venture into the woods past the pitch and putt. There, we would kiss, shyly at first and then not shyly at all. Finally, the often-fantasised romantic walk through the rose garden and back to mine
Dad was waiting, pretending to be busy in the kitchen when we arrived. -So here you are, the man who kept my daughter up all night-. We both blushed, him with fright, me with mortification. Then dad said something that really stuck. -I better warn you- he said looking the poor lad straight in the eyes. -Suzi is not temperamentally suited to emotional involvement-.
After a moment dad smiled and laughed it off, but I was horrified. I don’t know if the kid knew if dad was joking or not, or what he meant, but I knew. I believed it was true and I’ve taken that belief with me to every subsequent relationship I’ve ever had.

Onstage with dublin band Les Enfants at the Lark in The Park circa 83 in the aforementioned St Anne’s park. The Rose Garden is down the main avenue on the left!
Less than a week later my newly minted boyfriend dumped me for my friend. What followed was a long lonely summer only made brighter by my friendship with the other injured party in the foursome, until he sadly contracted TB and ended up in a sanatorium. Fun times!
Staying unattached seemed the only real option going forward, for everyone’s sake. It wasn’t actually a choice. Romance eluded me. The initial attraction would either be unrequited or fleeting, maybe weeks, days, hours even before it would bore me and I’d be off to pastures new.
I was always flirty, even as a child. I still am, though perhaps a little more discerning. Perhaps. I would tease my friend’s dads and brothers, unashamedly. It was my shtick. It was all harmless fun, I thought. I’d get the attention I was after, not always positive attention, but hey.
By my late teens however, I was focused entirely on becoming a star. Emotional involvements would only distract me. Just as well I was unsuited to them. I began to see my unattached status and lack of inhibition as an asset. Let’s be honest here. Whether you’re male or female or neither, being attractive and available, when you’re an aspiring pop star is pretty important, as much today as it was when I was at it.
I often confused sexual desire for any number of other desires The desire to be liked, accepted, and on and on. It’s not hard to fancy someone who makes you feel good about yourself and nothing makes me feel better about myself than someone liking my music. That’s ok, but if that attraction and the likely outcome becomes transactional, it can be problematic
Sex and Pop Music sells and so it never occurred to me when I was a young woman, not to use my sexuality in my music and business. When I started playing in bands sexy seemed to work for me. I was what was referred to as raunchy. It was all out there. I wasn’t introspective or shy, it was more in your face rock/blues Tina Turner, Millie Jackson, Bette Middler type thing. It was fun. I was young. I had balls
I recall a very early TV show appearance I made as backing vocalist with The Rhythm Kings circa 1981. I had found a vaguely 19th century saloon girl style taffeta skirt in a charity shop and had my hair backcombed to within an inch of its life and hard set into a Buffon, of gigantic proportions which I figured worked with their R&B Punk Rock thing but in fact looked quite ridiculous.
Anyway, the big star turn on the show was Joan Jett and the Blackhearts who were setting up to do their camera rehearsal after us and so I was lurking around to get a glimpse of Joan. Turned out Joan was delayed doing press and wasn’t going to make the run so bold as brass I jumped on the stage and offered to fill in. The band were a bit confused and the floor manager equally, so I made my pitch ripping the gigantic skirt off then grabbing Joan’s guitar, I struck the pose in my sheer black tights and my mother’s knee-high boots, waiting for the decision to come down from the control room to either call security or run the track.
Thanks be to Jesus after a torrid 3 minutes where I briefly came to my senses and saw me as I actually was, frozen in my pants and tights wishing I could leap off the stage and run through Rosemont out onto the N11, the unmistakable opening bars of I love Rock and Roll blasted through the monitors and I gave it socks.
Did my gambit for fame through sheer brass neck pay off on that occasion? No, but everyone there seemed to get a good laugh and the Blackhearts drummer or maybe it was the bass player, I don’t recall, really liked it, and I liked him a lot, that night.
I was out there in the world in my twenties and I put my hands up, I was promiscuous. I found myself in the company of lots of talented and interesting people. I’ve always been attracted to excellence. I wasn’t snobbish about it either. If you were a great musician, roadie, producer, plamasser, chances are I’d be giving you the glad eye. If the opportunity to have sex with an attractive man came along, who it also turned out was in a position to open a few doors for me, it never occurred to me to think that was anything other than good fortune.
Of course it rarely worked to my benefit. My rampant ambition and complete lack of moral compass got me into trouble more than a few times. Make no mistake the old casting couch was and still is, a feature in the music business. I naïvely thought I could navigate that well enough but of course I occasionally ran aground on it.
On one occasion in the early 80’s I was maybe 18/19. I remember encountering a local promoter on Grafton Street. I don’t know if he knew anything about me but I was about town a bit so he may have done. I told him I was a singer and was going to be massive! He asked me about musical influences and I mentioned I was into Maria Muldaur and he said “I bet you’re not as wild as Maria Mudaur”. To which I insisted I was and some. -Prove it,- he says, -show me your tits-. Classy guy. So off we went down Duke Lane or somewhere and I did show him my tits. He reached out for a feel but I cut him off at the pass. -Hey you can look but you can’t touch- I said, thinking I had the upper hand. I hated myself as I walked away, trying to persuade my sceptical friend who was observing the bizarre interaction that, I’d shown him. I’d shown him alright.
The lines were blurry for me, good attention bad attention, good sex bad sex. I thought my lack of sexual inhibition was tantamount to emancipation. I was blazing a trail. In my mind I was a feminist. If men could call the shots both sexually and professionally, taking what they want and leaving when they want, why couldn’t I? It took a few years for me to work it out, the whole one rule for us thing.
Most of my shenanigans took place during the eighties, in the pre-HIV/AIDS era. HIV put a stop to a lot of that, but it was mostly when love entered the equation a bit later, that I saw the benefits of quality over quantity. The love-sex-relationship combo is really what did for my philandering.
Still the sex and music paradigm fascinate me. Overt songs about sex are not new. I’m more interested in the politics of sex though. The sexual dynamics in relationships new and old. I like to think about desirability, intimacy, sustainability!
TWTYLTIYC is about the nuts and bolts of sex in a long-term relationship, that is, longer than 3 weeks. The not so glamorous but none the less wondrous moments of complex sexual and emotional entanglement with someone you know so well, that nothing could surprise you, till it does. I don’t know about you but I live for those moments. X
PS: I’m a big fan of CMAT. She reminds me of my younger self. Shy and retiring she is not. It’s all out there. She is lauded for her authenticity, rightly. She is living her best sexy life her way and fair play. I was also quite unapologetic back in the day but it was a bit of a handicap in my case. I wasn’t so much ahead of my time, but out of step with the times back then.
This was the early nineties. The Uk was still in the thrall of shoe gazing, the grunge and slacker vibe was taking over. The fashion was for downplaying rather than in your face, so my overt no holds barred here I am, take it, or leave it onstage/offstage personality was not hitting the mark with the tastemakers and influencers of the day and they decided to leave it.
Happily, CMAT is suffering no such backlash, quite the opposite. Her banging songs, frankness and emotional performances are lauded around the world, propelling her to great success. Kudos…
PPS: This song is one of many, influenced by my relationship of the last 30 years. In fact it was written more than 20 years ago. It [sic] like the song is a work in progress!
PPPS: In the course of reviewing this text I decided to double check the definition of philanderer, it is ‘a man who has casual affairs with women’. In the English language is there a term for women who have casual affairs with men? Other than slapper that is!
Answers on a postcard please
PPPPS: I was about to upload an early demo version of TWTYLTIYC that I didn’t really like, when I had a hazy recollection of a version we started with Paul on drums at some point in the early noughties. I decided to check through some old back-up hard-drives and tucked away in an unnamed folder, inside a folder named dDrive_rescue, tucked away in a folder named backup_PC on what I thought was a corrupted back up hard-drive was the ancient Cubase 4 arrangement of the song and all the component parts.
I just added the harmonica and horn parts and bvs but I kept the original vocal which I really like, so now, at last, it’s out there, ready for love!
Suzanne Rhatigan: Vocals, guitar, piano, harmonica
John F Morrison: Bass
Paul Murphy: Drums